Orchestral Tools – Berlin Woodwinds [KONTAKT] !!EXCLUSIVE!! Full Version
Orchestral Tools – Berlin Woodwinds [KONTAKT] Full Version
the free version of berlin woodwinds will give you theskeleton of the library with the other two important features, the articulation manager and legato workflow, disabled. exported sampler instruments can be used with other applications and libraries including reaktor, as kontakt sampler instruments can be used with other samplers like sine in order to provide all the advanced articulations, sampler instruments and legato controls that kontakt traditionally offers. if you want to compare and contrast how sines approach and compare to what was previously offered in kontakt, then i strongly suggest you check out this reorganized version of kontakt for instance. this is the one and only orchestral library that i would seriously consider purchasing, but its a hefty investment and isnt for everyone – if youre a diehard kontakt user thats sick of the default instrument, this version of berlin woodwinds will eventually become your new, favorite kontakt instrument.
berlins entire library features 16 quintessential orchestral woodwind instruments with playing examples for every new instrument, each instrument has its own full track and all the patches are recorded with two top notch professional woodwind masters. each of the instruments features exquisitely authentic percussive attack and perfect legato traces, all recorded at 140 bpm. berlin woodwinds even includes a powerful library of well over a thousand custom instrument samples and effects that you can instant-access from the library itself.
orchestral tools truly is an industry standard and is by far the most extensive orchestral library on the market. this library can be played from 5khz up to 120khz and is loaded with over 30,000 samples for a wide array of woodwinds, brass, strings, percussion, and more with more to come. the samples are dynamically built and updated by live session playback at 16-bit and 24-bit sampling rates. it can support just about any instrument and configuration and is completely customizable. this includes dynamic layer selection, different mic positions, audio filters, legato performance, bridging, polymap/pitch mapping, panning, etc. this unique interface is one of the most time consuming aspects of the orchestral tools program and with this update, tweaking it has never been easier. it is also packed with several useful features to aid in creating, editing, and performing professional orchestral mockups.
in addition, there are synonyms (for the more common articulations), and a “reasonable” option, which takes the longer note length to give a reasonable synth-like approximation. vsl’s vocomatic and appassionata’s synthic are included and they are good in keeping the legatos and the vibrato together.
although there is some variation in articulations and playback speed, the most important difference between the libraries is the quality of ensemble and individual instrument micing. berlin woodwinds tries to capture the ensemble of woodwinds in one take. the order of recordings seems to be based on proximity, but the results are mixed. on some instruments, there are a lot of breaths, but in other the voicing is more balanced. in addition, there are two main approaches – on close-miced instruments, there is relatively less attention to the ensemble (and also relative to the default mixes, but with less buzzing) than on the other miked instruments. more attention to the ensemble is paid on the non-close-miced instruments. in general, i find the closer miking more convincing.
orchestral tools berlin woodwinds exp c soloists ii features the teldex x96 stage and is a sample library design that has been purpose-built for the modern orchestral composer. the teldex x96, was the hallmark of teldex sound and it is a sound that is still admired decades later. the reverb is warm and spacious and the first-reflections are crisp yet warm and expansive at the same time. the hall is characterized by a warm yet highly focused sound and it is this particular sound that defines the teldex x96, providing a great balance of immediacy and detail to the sound. as a result, you can spend less time processing your instruments, maximize your composer time and effort and still sound professional. the reverb is enveloped and intimate, yet the acoustic is still very present and you feel as if you are actually in the room during a performance. since the sound is so inviting, you can sit back and let it do the processing for you and still reap all the benefits of working at top-speed.
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